Twelve Days of Anime #03 – All hail the German Suplex


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In most other giant robot anime the main character might get into their mech and immediately reach for a gun or a sword/knife to defend themselves against attackers. Not so Madoka, rather than find a weapon she decides that the best course of action should be a German Suplex. This simple scene perfectly encapsulates why I find Rinne no Lagrange such an entertaining series. It is a mecha series that never takes itself too seriously.  Read more of this post

Chuunibyou demo Koi ga Shitai! 12 – Different Perspectives


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Chuunibyou is a fascinating and complicated idea, one that embodies the surprisingly simply but occasionally complicated notion of imagination. Throughout this series we have been told how ridiculous and embarrassing Chuunibyou is, with repeated examples of the strange and the wondrous shown in the form of Rikka and Dekomori. Chuunibyou is a social Haiku, as a term it is used to condense and concentrate numerous complicated social and cultural situations and attitudes into a single, easily used idea. At its most basic, Chuunibyou is essentially a term used to describe adolescence, a period in everyone’s life where external influences and ideas can have a tremendous impact on how you view yourself and the wider world. It is therefore tremendously difficult to truly label someone as a ‘sufferer’ of Chunnibyou, apart from those who act in the most extreme ways. Rikka, Dekomori, and the past Yuuta are all perfect examples of the more extreme end of Chunnibyou, with each character taking on a new, and altogether different personality. The way they act, speak, and interact with the wider world around them differs tremendously from the social ‘norm’, therefore marking them out as wider, or perhaps dysfunctional. Read more of this post