Kyoukai no Kanata 12 – Shadows and Light


As I have said on numerous occasions, the relationship between Mirai and Akihito has been at the very centre of this series, they are the odd ones out in society, both cursing their existences, and living with the complicated nature of who they are. The various plots and political intrigue that reared its head from time to time swirled around these two characters like thick fog, clinging to their clothes and never letting them go. That Akihito seemed to be harbouring the Youmu known as Kyoukai no Kanata in his body, a shade so powerful it is said to be capable of destroying the world emphasises how unsure his existence was. What is interesting however is how little we as the audience ever find out about the politics between Miroku – likely acting as a proxy for the Spirit Hunter’s Association – and the Nase clan. In many respects it seems find to leave it as a case of political intrigue, coupled with plans to use the power of Kyoukai no Kanata, along with numerous other Youmu to produce something dramatic and world changing. Read more of this post

Kyoukai no Kanata 11 – A Place Between Worlds


The relationship between Mirai and Akihito has been a complex one, with both characters coming from complicated backgrounds and having to deal with their own issues throughout the series. This episode acted as a continuation of the progression in their relationship, and arguably served as a defining moment in how they view each other, and themselves. From the very beginning of this series Mirai, and Akihito have had their fair share of problems stemming from their backgrounds and lineage. The complex issues of pollution within (traditional) Japanese belief means that both characters are arguably polluted, with backgrounds that single them out as strangers, outcasts that neither fit in the world of humans or the world of dreams and shadows. Read more of this post

Kyoukai no Kanata 07 – Memories and shadows


Last weeks Kyoukai no Kanata served as a brilliant diversion from the main narrative of the series, one that explores ideas of cursed existences and the idea of blood as a form of pollution. It was very successful at what it did as well, providing us with another glimpse at the business of hunting and destroying spirits, albeit one that involved classic training montages, a full musical number, and the main characters apparently forgetting that they were supposed to destroy the Youmu, not entertain it. As a break from the darker themes of the series it was both entertaining, hilarious, and also rather interesting as it presents us with a different vision of Youmu and their place next to humans. Up until that point all the Youmu that this series has introduced have been particularly vicious looking creatures with murderous auras, and in the case of the Hollow Shade, a dangerous reputation for destroying Spirit Hunters that try to confront it. What last weeks episode suggests is that Youmu are far from being the evil, destructive creatures that until recently we may have assumed them to be. Instead they are merely spirits, many may be potentially dangerous, but then so are humans, and the reality of it is that many of them do not threaten the safety of humans of Spirit Hunters, providing they are left alone to get on with their own devices. Read more of this post

Kyoukai no Kanata 04 – The debt that had to be paid


As we have seen already, the cursed blood that Mirai has controls how she views the world and her place within society. It is the source of her hatred, anger, pain, and suffering, something that has shaped her perception of her own worth and how people should treat her. Throughout the last three episodes Mirai has consistently tried to distance herself from Akihito, constantly pushing him away by saying that he is different from her, someone with friends, who has a happy, carefree life. Mirai has thus internalised the negativity of individuals around her, truly believing that her clans blood is truly cursed. Interestingly, Sakura Inami reinforces this negative view by describing her as a ‘Shinigami’, a god of death with the power to destroy the land around her with blood that falls like acid rain and purges the land of life. It is easy to see why Mirai’s clan is so maligned when the full power of her blood is unleashed, melting away the trees and leaving the landscape around her barren and scarred.

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