Shouwa Genroku Rakugo Shinjuu – The Captivated Audience


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To be successful, rakugo must captivate the audience, taking them to a time and place that has long since passed, and one that often deals with mannerisms, etiquette, and social issues that are largely irrelevant to modern society. The majority of these stories are set in the Edo period, and are therefore bound up in older traditions, ones that may well be passed on in other art forms such as kabuki, noh, and tea ceremony, but have long since disappeared from everyday life. As such, central to a rakugo performance is the ability of the rakugo-ka to successfully conjure up these periods, twisting space and transporting the audience into his world. Read more of this post

Shouwa Genroku Rakugo Shinjuu – Different Worlds


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I briefly touched upon the conflict between periods in my first post on Shouwa Genroku Rakugo Shinjuu, pointing to the tension between the new, modern period of economic success, and the traditional, even old fashioned image of Rakugo, complete with kimono and classical architecture. These moments are brief, but important, representing a split within the culture and society of Japan. Read more of this post